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Scrambling syllables in sung poetry of the Maldives

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dc.contributor.author Field, Garret
dc.date.accessioned 2023-06-12T09:38:17Z
dc.date.available 2023-06-12T09:38:17Z
dc.date.issued 2019
dc.identifier.citation Field, G. (2019). Scrambling syllables in sung poetry of the Maldives. Anthropological Linguistics, 61(3). 364-388. en_US
dc.identifier.uri http://saruna.mnu.edu.mv/jspui/handle/123456789/14619
dc.description.abstract The most popular form of poetry in Dhivehi (an Indo-Aryan language of the Maldives) before the twentieth century, raivaru, utilizes the scrambling of syllables as a poetic device. Scrambling harnesses processes typ- ically associated with language games. Yet, while players of language games transform words according to rigid processes, Maldivian poets scramble sylla- bles in response to six poetic constraints. Two broad forms of scrambling may be distinguished: intraword vs. long-distance. One factor that may influence the poet’s decision to scramble syllables in particular ways is the recitation melody. en_US
dc.language.iso en en_US
dc.publisher University of Nebraska Press en_US
dc.relation.ispartofseries Anthropological Linguistics
dc.title Scrambling syllables in sung poetry of the Maldives en_US
dc.type Article en_US


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