Poetry - ޅެންވެރިކަން
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Item ".....ޑޭޒީމާ: "ޅެންވެރިކަމުގެ ކޮންމެ ދަނޑެއްގައިމެ އެންމެ ކުރީ ސަފުގައި(ފަންވަތް, 2011-03-31) ުޢަބްދުލްޢަޒީޒު ޖަމާލު އަބޫބަކުރ; Aboobakuru, Abdul Azeez JamaalItem ހައްދުންމަތީ ބަހުރުވައިން : އުފަން ރަށްވެހިންނަށް އިލްތިމާސެއް(ފަންވަތް, 2011-05-02) ުޢަބްދުލްޢަޒީޒު ޖަމާލު އަބޫބަކުރ; Aboobakuru, Abdul Azeez JamaalItem !ކުރިމަގަށް އާދެ! ޤައުމަށް އަމާންކަން ދެމާ(ފަންވަތް, 2012-02-12) ޢަބްދުލްޢަޒީޒު ޖަމާލު އަބޫބަކުރު; AboobakuruItem ސީރިއާ ކުދިންގެ އާދޭސް(ޠާހާ, 2017-02-27) ޠާހާ އަބޫބަކުރު; Aboobakuru, ThohaItem ުޅެންވެރިންގެ ދުވަހުގެ ޝުޢޫރ(ޠާހާ, 2017-01-27) ޠާހާ އަބޫބަކުރު; Aboobakuru, ThohaItem ލޮބުވެތި ކަނބަލުންނޭ(ގަމު ޠޯހާގެ ބްލޮގް, 2018-03-08) ޠާހާ އަބޫބަކުރު; Aboobakuru, T'haahaaItem ޙައްޤު ތަޢްރީފެއް(ގަމު ޠޯހާގެ ބްލޮގް, 2018-03-12) ޠާހާ އަބޫބަކުރު; Aboobakuru, T'haahaaItem ޢުމްރާ ދަތުރު(ގަމު ޠޯހާގެ ބްލޮގް, 2018-03-25) ޠާހާ އަބޫބަކުރު; Aboobakuru, T'haahaaItem އެދުރުގެ އަމުރު(ގަމު ޠޯހާގެ ބްލޮގް, 2018-04-08) ޠާހާ އަބޫބަކުރު; Aboobakuru, T'haahaaItem Scrambling syllables in sung poetry of the Maldives(University of Nebraska Press, 2019) Field, GarretThe most popular form of poetry in Dhivehi (an Indo-Aryan language of the Maldives) before the twentieth century, raivaru, utilizes the scrambling of syllables as a poetic device. Scrambling harnesses processes typ- ically associated with language games. Yet, while players of language games transform words according to rigid processes, Maldivian poets scramble sylla- bles in response to six poetic constraints. Two broad forms of scrambling may be distinguished: intraword vs. long-distance. One factor that may influence the poet’s decision to scramble syllables in particular ways is the recitation melody.