Scrambling syllables in sung poetry of the Maldives
dc.contributor.author | Field, Garret | |
dc.date.accessioned | 2023-06-12T09:38:17Z | |
dc.date.available | 2023-06-12T09:38:17Z | |
dc.date.issued | 2019 | |
dc.description.abstract | The most popular form of poetry in Dhivehi (an Indo-Aryan language of the Maldives) before the twentieth century, raivaru, utilizes the scrambling of syllables as a poetic device. Scrambling harnesses processes typ- ically associated with language games. Yet, while players of language games transform words according to rigid processes, Maldivian poets scramble sylla- bles in response to six poetic constraints. Two broad forms of scrambling may be distinguished: intraword vs. long-distance. One factor that may influence the poet’s decision to scramble syllables in particular ways is the recitation melody. | en_US |
dc.identifier.citation | Field, G. (2019). Scrambling syllables in sung poetry of the Maldives. Anthropological Linguistics, 61(3). 364-388. | en_US |
dc.identifier.uri | http://saruna.mnu.edu.mv/jspui/handle/123456789/14619 | |
dc.language.iso | en | en_US |
dc.publisher | University of Nebraska Press | en_US |
dc.relation.ispartofseries | Anthropological Linguistics | |
dc.title | Scrambling syllables in sung poetry of the Maldives | en_US |
dc.type | Article | en_US |
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