Please use this identifier to cite or link to this item:
http://saruna.mnu.edu.mv/jspui/handle/123456789/14619
Title: | Scrambling syllables in sung poetry of the Maldives |
Authors: | Field, Garret |
Issue Date: | 2019 |
Publisher: | University of Nebraska Press |
Citation: | Field, G. (2019). Scrambling syllables in sung poetry of the Maldives. Anthropological Linguistics, 61(3). 364-388. |
Series/Report no.: | Anthropological Linguistics |
Abstract: | The most popular form of poetry in Dhivehi (an Indo-Aryan
language of the Maldives) before the twentieth century, raivaru, utilizes the
scrambling of syllables as a poetic device. Scrambling harnesses processes typ-
ically associated with language games. Yet, while players of language games
transform words according to rigid processes, Maldivian poets scramble sylla-
bles in response to six poetic constraints. Two broad forms of scrambling may be
distinguished: intraword vs. long-distance. One factor that may influence the
poet’s decision to scramble syllables in particular ways is the recitation melody. |
URI: | http://saruna.mnu.edu.mv/jspui/handle/123456789/14619 |
Appears in Collections: | ޅެންވެރިކަން Poetry
|
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